Berlin Strings is a behemoth of a library especially if you count the expansions available for it. Orchestral Tools – Berlin Strings SeriesĪs with Spitfire Audio, you don’t get to create a “best of” list without Orchestral Tools. If you are just starting out this library is the best way to get into orchestral strings. The library comes with 35 GBs of samples at a price of $399. Aside from articulation control there is a straightforward mixer and a reverb control as well as various toggle options for legato modes and turning on Con Sordino. The GUI is pretty straightforward with articulation options taking up most of the space and what we like about it is the option to remap the keyswitches for articulations. This is such a neutral sounding library and it will fit into any template out there, plus it is perfect for blending with other string libraries. The legato patches are probably the best on the market, period. It’s your bread and butter string library divided into sections with all the necessary articulations you will ever need. This was an obvious choice as we see a lot of working composers using this library and for a good reason. The string libraries we are going to show you here are what we have tested in different situations and have found are the most versatile to fit into a template. But it’s starting to get rather difficult to pick the best one because you really can’t find a bad one and the market is starting to get overly saturated with string libraries. The biggest part of your template is reserved for strings as there are so many libraries available today. When we think of a symphony orchestra, we usually imagine a group of musicians with strings. Ronroco’s dualist nature, and the sheer quality of the recordings at its core, make it a must-have for authentic South American rhythm and solo guitar lines alike.Strings are the backbone of the symphony orchestra and probably the most important instrument section. Both Instruments incorporate five mixable (level and pan) mic channels (Mono, Stereo Left/Right, Room Left/Right), and fully tweakable reverb and delay effects. The first puts a sizable collection of tempo-synced loops in six distinct styles and a comprehensive array of chords at your fingertips for user-configurable MIDI triggering and Ronroco Multisamples, as you’d expect, maps all the single notes produced by the instrument up the keyboard for real-time play. This KONTAKT-hosted emulation from Samplephonics comes in two NKIs: Ronroco Loops and Ronroco Multisamples. The ronroco is a characterful lute-like instrument from Bolivia that employs ten nylon strings in five double courses, tuned to a very specific set of intervals. Letting you get to grips with the majority of the full Shreddage 3 feature set, and drawing on enough of the Stratus samplebank to make it genuinely useful in its own right, Stratus 3 Free is an essential download for every KONTAKT user.įor the final entry, we’re stretching the definition of “guitar” a little – but it’s worth it. The beautiful scripted interface puts keyswitch-based performance control front and centre up to 16 effects can be racked up from a library of 30 guitar-orientated modules and the TACT (Total Articulation Control Technology) page facilitates customization of the Sustain and Mute articulation mappings. Capturing a Fender Stratocaster in four articulations (Sustains, Palm Mutes, Release Noises and Chokes) over three octaves (12 frets), with up to three dynamic layers and four round robins, it’s easily enough to get the job done for mix-ready lead and rhythm parts, the latter assisted by the handy Strumming mode. Impact Soundworks’ Shreddage series of massively multisampled virtual electric guitars is widely acclaimed for its dazzling sound and stellar playability, and Stratus Free gives you more than just a taste of the full Shreddage 3 Stratus. As well as the main rhythm guitar instrument, you get four ‘Licks’ patches, too, each providing a collection of riffs, widdles and incidental bits and pieces for elaborating on the central strums.Īlthough evidently intended to serve as a pre-production tool first and foremost, there’s no reason why Songwriting Guitar shouldn’t also be used in actual projects – it sounds great, and is certainly more versatile than first appearances might lead you to believe. Three guitars are involved – an ESP LTD Deluxe, an Epiphone Custom and a Fender Strat TexMex, all plugged into a 1962 Drawmer preamp – and you get a good degree of governance over the sound thanks to the onboard EQ, envelope controls, filter and LFO-driven gate. Aimed at songwriters looking to conjure up instant acoustic and electric guitar parts for compositional purposes, 8dio’s cleverly constructed library lets you trigger major and minor chord loops in all 12 keys, with four keyswitching strumming rhythms and 12 keyswitching effects.
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